After the death of lead vocalist Chester Bennington in 2017, the rap-rock icons have reformed, aiming to cultivate ‘good vibes’ for a new generation of fans. Mike Shinoda and Emily Armstrong discuss backlash and rebirth
It’s been almost 25 years since Linkin Park released their debut album, Hybrid Theory. An irresistible fusion of metal, hip-hop, electronica, industrial rock and infectious pop melody, it established the Californian sextet as instant nu-metal icons and laid the groundwork for the group to become, by many metrics, the biggest US rock band of this millennium: Hybrid Theory ended up the bestselling album of 2001; its follow-up, Meteora, would also go on to rank as one of the bestselling albums of the 21st century.
It’s been just 36 hours, however, since the band played their biggest headline gig to date, at a steamy and rapturous Wembley stadium. Outside, it’s still scorching, but in an icily air-conditioned hotel overlooking the Thames, Linkin Park’s co-founder, co-vocalist and chief songwriter, Mike Shinoda, is reflecting on the show. “For any band that’s been around a long time, it’s really easy to start heading into heritage territory,” says the 48-year-old. “You’re just playing that old stuff.”
