The Russian soprano says she has condemned the war and has no affinity with this Kremlin. But hosting her still seems unwise
Puccini’s Tosca is high on the list of operas I don’t much care if I never see again. So the fact that the Russian soprano Anna Netrebko, unquestionably one of our era’s exceptional opera singers, is due to sing Tosca in a new production at Covent Garden next month does not present me with a dilemma. I won’t be there anyway.
It might be more difficult, I admit, if Netrebko was singing Verdi, where she is so outstanding. But this column is not about my taste in opera. It is about something of wider moral importance. Netrebko’s London performances pose complex questions but require straightforward answers. First, is it right for a prestigious British institution, the Royal Opera House, to be hiring Netrebko while the Ukraine war continues? The answer could in theory be yes, were she to repeat her opposition to the war, but on the current evidence it is no.
