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David Hockney: Some Very, Very, Very New Paintings Not Yet Shown in Paris – review: still innovating, still fascinating

Annely Juda Fine Art, London
With this new collection of bright and bold still lifes, iPad experiments and splotchy portraits, the art-world titan is beginning to show his age in intriguing, unsteady ways that remain inimitably Hockney

He’s still at it, is David Hockney. At 88 years old, and more than 60 years into a career that has seen him rise to the very top of the contemporary art pile, Hockney is still painting, still experimenting, still innovating, and still having shows.

This exhibition – the first in a swish ultra-central London location for Annely Juda, his gallery since the 1990s – is packed with paintings so new you can almost smell the wet paint. The opening room is all eye-searingly bright still lifes: chairs, tables, fruit and flowers. It’s the most old-fashioned and staid of subject matter, but nothing Hockney does is that dull, is it?

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